New Adventures

Today is my last day at Free Press.

After seven years fighting for more diverse, independent media, quality journalism and all people’s rights to connect and communicate, I’m moving on to a new adventure.

It’s a tough time to leave. The work Free Press does is profoundly important right now.

I started at Free Press the same month the first iPhone was released. In the seven years since, media has become interwoven into our lives in ways we couldn’t have predicted. Our computers have moved from our desktops to our pockets, and technology is far more personal and intimate today than ever before. Our movements, our politics, our news and our communities are being transformed by creative people and unexpected technology. And through these tools, people are creating, collaborating and participating in media and journalism every day in ways few of us imagined seven years ago.

However, at the same time we also face a range of new threats to freedom of expression and the open Internet. From net neutrality to mass surveillance and media diversity to mega mergers, Free Press has been fighting these fights for a decade. And I know the organization has big plans for the next decade, especially at the intersection of press freedom and Internet freedom.

The team at Free Press is second to none. They are some of the most dedicated and knowledgeable people I’ve ever worked with. I’ll miss the work, but I’ll miss the team more than anything.

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“We’ll Never Be Rested” a New Video Parody of Lorde’s “Royals” for Overtired Parents

One of the amazing things about the Internet is the way an idea can spread and grow. When my wife and I wrote a parody of Lorde’s “Royals” rewritten in the voice of overtired parents, we had no idea how much it would resonate with people. We got a huge outpouring of messages from parents who saw themselves in those lyrics and appreciated the chance to laugh a bit amidst the chaos.

When my old college friend Lisa Hilary saw the lyrics on Facebook she offered to recorded a studio-version of it – that’s when it really went viral. In a few short weeks it got almost 1 million hits and was being played on radio talk shows and discussed in TV segments. You can see the full lyrics below and hear Lisa’s version here.

Now two more people have recorded their own versions of the song, using our lyrics. Atasha Marlee is a mom of three (4, 2 and 6 months) who somehow had time to get into a studio to record her version of the song and make this video:

I don’t know about you, but I recognized a few of those scenes all too well. Continue reading

Hacking Attention: Media, Technology and Crisis

On Monday at 5pm I’ll be moderating a session at SXSW that explores the way journalists, civic hackers, and local communities are using new technology and social networks to respond to crisis and conflict. What follows is a preview of some of the issues we’ll be grappling with.

What is your attention worth? Online publishers, advertisers and social networks are putting a price on your attention every day. The entire web metrics industry is built on the economy of attention – impressions, clicks, visits, time on site, RTs, likes, shares. These are the atomic elements of attention.

But there are also people who are working to hack attention, to use new networks, new connections and new tools to drive our hearts and minds towards the most important stories of our time. The hope is not that we can turn attention into dollars, but that we can turn attention into action.

Today, images of natural disasters, videos from protests, and reports from war zones reach us almost instantaneously. Carried over the air and across the wires, events around the globe are brought directly into our field of view. They show up in our Twitter feed, on our Facebook walls, or in our Tumblr dashboard.

From the heart of conflict and crisis people are taking to social media to bear witness, find information, and seek aid and assistance. Citizen and pro-journalists are reporting from the front lines, activists are pushing out creative media campaigns, crowds are mapping crises in real time, and governments are watching and tracking us online. Continue reading

Saying Goodbye to a Five Year Old

When I picked up my son after school a few days ago, he walked slowly to the door, head down and quiet. He normally bounds over to me when I show up at the end of the day. He got his hat and jacket on without saying much, and we walked out to the car.

When we got home I opened the car door, and he looked like he was about to cry. “I don’t want you to go on another trip,” he said.

That morning we had talked about the fact that I was leaving in a few days for a conference. I had only just returned home from another trip. “I just want some special time with you and me,” he said, reaching out and grabbing my hand. We decided that we’d go out for dinner together that night, and get ice cream afterwards.

An hour later we walked out the front door and he stopped in his tracks, looking up at the night sky. It was a clear, cold winter night, and the stars filled the sky. He smiled as he looked up at in awe. Usually we eat dinner around six, get ready for bed by seven and are reading books by eight. So he hasn’t had that many chances to see the night sky, so dark and deep and full.

I just watched him studying the stars, seeing the world through his eyes, feeling his wonder and thinking about how some goodbyes never become routine. I wanted to hold on to that moment. Continue reading

The New Geography of Freedom: Mapping Our Rights On and Offline

This month the Committee to Protect Journalists released its annual analysis of Attacks on the Press, including a “Risk List” of the places where press freedom suffered most in 2013. As you might expect, conflict areas filled much of the list – Syria, Egypt, Turkey – but the place on the top of the list was not a country. It was cyberspace.

In the past, the list has focused on highlighting nations where freedom of the press are under attack, but this year CPJ wrote, “We chose to add the supranational platform of cyberspace to the list because of the profound erosion of freedom on the Internet, a critical sphere for journalists worldwide.” Including cyberspace is a recognition that, at least in terms of press freedom and freedom of expression, the web is not virtual reality, it is reality.

CPJ makes clear that the Internet is a contested terrain, a space of conflict, and very much at risk. While volumes have been written about the future of digital journalism, we have not yet fully mapped the geography of emerging threats that face journalism online. This is due in part to the pace of change in journalism and technology, which presents new opportunities and reveals new threats at every turn.

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Journalism Will Rise and Fall With Its Communities

Creating a sustainable future for journalism will demand an entirely new approach to building community around the news.

Two stories from the past week drive that point home.

First the Good News

Mathew Ingram at Gigaom has a great profile of the Dutch crowd-funded journalism site De Correspondent, which brings in almost $2 million a year in subscriptions. Drawing on a piece in Fast Company, Ingram highlights how De Correspondent builds community:

  • It considers reader comments as contributions and values them as part of an ongoing dialogue.
  • It holds editorial meetings in the community, reaching out to different demographics and stakeholders.
  • It encourages people to subscribe to individual authors, and creates opportunities for journalists and communities to debate and discuss the news, building personal relationships beyond the brand.

“One of the key principles behind De Correspondent,” Ingram writes, “is that the news outlet and its community of readers are two parts of one thing, not just a seller on one side and a consumer on the other.”

Now the Bad News

The nonprofit journalism world includes a few big newsrooms funded by a few wealthy individuals. This model works when a major donor gives a new journalism organization the stability and safety to experiment and develop new revenue streams. But it can also go wrong: The Global Mail, one of Australia’s great nonprofit experiments, may be closing its doors because its primary funder is bowing out.

It was only two years ago that Internet entrepreneur Graeme Wood pledged five years of support, totaling over $10 million, but his priorities shifted and he decided to support a different publication.  And while the Global Mail has a dedicated readership, it hasn’t been able to cultivate the community investment it needs to diversify its funding. Continue reading

Verification Handbook Mixes Tools, Tips and Culture for Fact-Checking

Last week Twitter and CNN announced a major partnership with the data analysis startup Dataminr to shift the way journalists use Twitter as an early alert system for breaking news. Dataminr worked with CNN to fine-tune the algorithms they use, to help close the gap “between the eyewitness wanting to be heard and the journalist who wants to listen,” according Twitter’s head of news, Vivian Schiller, in a blog post. That gap is not just one of distance or time, but also one of trust.

Dataminr says its algorithms can not only identify emerging patterns and trends, but also help journalists focus in on the most relevant and reliable information. As an example of this, The Verge’s Ben Popper points out that “Dataminr told its financial clients that the AP tweet about an explosion at the White House was false five minutes before the AP itself corrected the facts.”

This is clearly a promising tool for newsrooms, but in breaking news, it is not just the tools, it is how you use them. It is not enough to have a great verification tool if the culture inside and outside the newsroom doesn’t value accuracy above all. To that end, last week also saw the release of an important new guide to verifying digital content. The Verification Handbook is free online, and was produced by the European Journalism Centre with contributions from an all-star cast of journalists. Continue reading

Poem: Taughannock

Every year my  friend Andrew Roberts asks for one thing for his birthday – a poem. Roberts is an accomplished poet himself and you should check out some of his work (try herehere or here). Below is the poem I sent him in 2013, and you can see the poem I sent him in 2010 here, 2011 here and 2012 here.

Taughannock

Shale stone is piled like pages down the long spine of this river, cut through the hills like an open book. The geology of our bones, shoulder blades and knuckles, jaw bones and shins. All edges. All sharp stones full of history, full of what nature has made us.

They say people used to jump off these ledges. Fingers and toes, bloodied on the rocks. The river washes them away, their names are how we remember this place. It was that or be killed. The trees drop leaves, pointing the way.

And as a kid I just wanted to climb up. To scramble over the confetti of rock, to feel the cold against my skin. I memorized the contours of these walls, I planned my route. I ate bark and hid there above the trail, waiting.

Birds float in a container of air, defined by the absence of mountains. Gorges left behind by ice ages. Fingers clawing at the earth, making space for wings. They circle like their legs are tied to strings.

There are fissures everywhere, places where the water seeps from the dark stone. Where breath is turned to air. Where echoes get lodged, and fall apart, returning damaged, not quite whole.

I learned to give names to the world here, to touch the water and know the season. I skipped stones, and made promises. I wrote them down in rock, in pages, in air.

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How I Learned to Stop Worrying and Love Bite-Sized News

Last week the BBC launched Instafax, a short-form video newswire designed for Instagram where videos are limited to 15 seconds. For now, the BBC is describing their project as an experiment, but the move is part of a much larger trend that, at one point, I scoffed at.

I have long complained about inch-deep media coverage of current events that provides little time for meaningful debate and focuses instead on sound bites. By all accounts I should hate news being delivered in 15 second Instagram videos. And yet, as organizations, old and new, develop new kinds of storytelling for new platforms the ultra short form factor is winning me over for some topics. Bite-sized news today goes beyond sound bites, but could go even further as an on-ramp to other coverage.

As a news junkie I was curious about NowThis News and started following them on Instagram late last year. I was soon hooked on their clever, punchy, well-produced videos. In a post on NowThis News’s Instagram strategy Caroline O’Donovan said “NowThis News is building video content that fits in where the audience lives.” She continued:

There’s a willing audience in people who would never think to turn on a TV to get their news, but refresh their Instagram feed multiple times a day. It’s not that these people aren’t interested in news — it’s that they’re accustomed to the big stories finding them rather than the other way around.

And indeed, editor-in-chief Ed O’Keefe says that they are “finding an appetite for hard news,” he says. “Not just soft, entertainment news — hard news on Instagram.” NowThis News recently split off their entertainment and sports coverage into separate Instagram accounts responding to feedback from their followers. Continue reading

Remembering Bill Coperthwaite

When my wife and I got married my friend, John Saltmarsh, gave us two hand carved wooden spoons and a book called “The Handmade Life.” The spoons were carved by the book’s author, Bill Coperthwaite.

Ten years later, as 2013 was coming to a close, I found out from John that Bill had died in a car accident not far from his home in Maine.

Bill’s book occupies a special place in my heart, and on my bookshelf. I keep it in a small pile of books in our living room, books that I go back to often for advice, for grounding, and for inspiration. Bill was a pioneer in popular education and homesteading, living close to the land and thinking always about how to build more resilient and connected communities. Continue reading

I Don’t Want to Be Rested

Around Thanksgiving of last year my wife and I rewrote the lyrics to Lorde’s song “Royals” from the perspective of over-tired parents. We called the song “Rested” and posted it here on my blog and on Facebook. Here is the chorus:

We’ll never be rested
Now that we have kids
That kind of luxe just ain’t for us
We gotta find a different kind of buzz

A few weeks later my friend Lisa Hilary recorded our lyrics, and that is when our parody started to take off.

In the last month the song has been viewed nearly one million times, at one point getting more than 200,000 hits a day for a few days. Our parody started getting played on the radio and we got invited to go on CNN’s Headline News.

The best part however, was the amazing response from other parents who felt like the song validated their struggles and sleeplessness. The comments section on the post quickly filled up with people commiserating about never feeling rested, offering support and lots of advice.

Throughout all of this, people said to me over and over again, “Don’t worry – it get’s better. You’ll sleep again someday.” But here is the thing, while I would love a few more hours of sleep, the truth is I don’t want to be rested. Continue reading

Net Neutrality, Press Freedom and the Future of Journalism

Tuesday’s court decision, which struck down the FCC’s Open Internet Order and threatened the future of Net Neutrality, has huge implications for the future of journalism and press freedom.

According to the Pew Research Center, half of all Americans now cite the Internet as their “main source for national and international news.” For young people the number is 71%. While we are nowhere near stopping the presses or tearing down the broadcast towers, the Internet is increasing how we distribute and consume the news today.

The future of journalism is bound up in the future of the Internet. Continue reading

What Do Kids’ Books Teach Us About the Future of Journalism?

I may read most of my news online, but I still get a print newspaper delivered to my doorstep everyday. I have lots of reasons for doing this but mostly I do it support local journalists and to have journalism be a visible presence for my kids.

At any given point we have a few days’ newspapers lying around the house, along with a few magazines we still subscribe to. The kids see an interesting picture or headline that captures their attention. It sparks conversation, makes them curious about their community and the world around us. We’ll often go from discussing an article in the paper, to looking up something on YouTube and reading more about it online. So I’m not opposed to screens in any way, but I do appreciate the serendipity and spontaneity the physical paper provides.

It is also a way for my kids to understand first-hand the work I do every day on press freedom and media policy.

I’m lucky that my kids are voracious readers and are drawn to anything that has words on it. In the piles of children’s books around our house I began noticing that a lot of them depicted newspapers. I decided to document representations of newspapers and journalism in kids’ books we owned.

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Ira Glass on Storytelling and Surprise

A few weeks ago I saw Ira Glass speak about This American Life and how he and his team think about storytelling. Looking back through my notes today, I discovered this little sextet of quotes that all seemed to flow together nicely. This is a bit like playing refrigerator poetry with Glass’s words since each of these lines had a lot of other context around them, but nonetheless, here they are:

Surprise is a remarkable weapon when telling a story.
Surprise brings hope.
Journalists need to be cunning.
Storytelling is highly inefficient.
We harness luck as an industrial tactic.
It is like wandering in the rain hoping lighting will strike.

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The Best Online Storytelling and Journalism of 2013

In 2012 I posted a round-up of the best online journalism of the year, which grew as others added their favorites. My list focused on journalism that could only be done online, the kind of storytelling that take advantage of the unique opportunities the Internet provides. This tended to be deeply visual reporting that wove together text, audio, images and videos.

As I created my 2013 list however, I saw much more data journalism and an increasing use of tools that engaged readers or rethought the basic flow of storytelling for a more participatory audience.

The ghosts of the New York Time’s “Snow Fall” article from 2012 haunted debates about online journalism in 2013 – it even became a verb. Joe Pompeo, the media reporter at Capital New York, defined “snowfalling” this way: “To execute the type of expensive, time-consuming, longform narrative multimedia storytelling that earned the Times’ ambitious ‘Snow Fall’ feature a Pulitzer last month.”

But 2013 also saw innovative journalists and newsroom developers taking interactive, multimedia storytelling in new directions too. And while I don’t cover them in-depth below, there were

Be sure to also check out the Online Journalism Award winners, which includes a number of amazing projects not listed here. And, in terms of a meta look at the field, I think Eric Newton’s “Searchlights and Sunglasses” is both a critical tool for rethinking journalism education and a model of online storytelling itself.

As in 2012, consider this list a provocation, a challenge to you to fill in the blanks and tell me what I missed. This list is by its nature biased around topics and people I followed this year, I don’t suggest it is comprehensive, so please take advantage of the comments section to add your favorites (or send me a note on Twitter). Continue reading